老李头 发表于 2019-4-25 19:13

佛像

1—清早夹贮漆财神—“夹贮”脱胎为佛造像技法之一,其法用生漆涂刷多次、每次漆干后用生漆糊上麻布,反复多次,待生漆麻布晾干坚硬后掏出泥胎,揭下生漆麻布硬片按原位再次糊牢,底嵌上木板再用生漆麻布封住即成。属漆器工艺当中难度较高之做法,多见于明清宫廷,保存至今极为难得。此佛像整尊工艺精湛,形制古朴,人物比例协调,衣纹线条流畅,包浆醇厚,设色亮丽,堪称夹贮胎佛教造像之精品,遗憾的是手指有残影响了整体品相,但是瑕不掩瑜,仍不失为一件难得的收藏品.
2——...印释迦牟尼—此佛像肉髻高耸、宝珠顶严、面庞俊朗、高鼻薄唇、肩胸宽厚、肢体圆浑、腰部细敛,具有挺拔壮硕的特质。手施转...印,作初说法状,衣纹褶皱转折起伏、自然流畅,须弥座上下饰以连珠,束腰内收,莲瓣肥厚饱满,整体工艺表现极为成熟精湛...



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